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West Coast (song) - Wikipedia"West Coast" is a song recorded by American singer and songwriter Lana Del Rey for her third studio album, Ultraviolence (2. Written by Del Rey and Rick Nowels, it is a melancholy love song that depicts a woman torn between love and ambition, while also serving as a dedication to the United States' West Coast. A psychedelic rock and soft rockballad, "West Coast" was noted to be an evolution and more guitar- orientated in sound for Del Rey and was produced by Dan Auerbach of The Black Keys. Described as a two- in- one song, its shifting tempo transitions downward by nearly 6. The Beatles' "We Can Work It Out" (1. Beatles' "And I Love Her" (1.

In the song, Del Rey's vocal comprises a more sensual and demented tone than in her previous discography, and are often sung in an anxious "breathy" style. Released as the lead single from the album on April 1. West Coast" received positive reviews from music critics who commended its unconventional composition and Del Rey's uncharacteristic vocal delivery. Watch Bird Putlocker. Several news media sources went on to list it as one of the best songs of 2.

Consequence of Sound, NME and Spin. West Coast" debuted at number 1. Billboard Hot 1. 00, making this Del Rey's highest debut and second highest- charting single of her career, while also being her first single to enter the Rock Airplay chart where it reached number 2. The song marked Del Rey's eighth top 4. UK Singles Chart where it peaked at number 2. An accompanying black- and- white music video, directed by Vincent Haycock, was released on May 7, 2.

Shot at Marina del Rey, California and Venice, Los Angeles, it uses a minimalist and melancholy approach to depict Del Rey torn between two love interests, one of which is portrayed by Hollywood tattoo artist Mark Mahoney. The clip was well received by critics and was nominated for a 2. MTV Video Music Award for Best Cinematography. Del Rey promoted "West Coast" with live performances at the Coachella Valley Music and Arts Festival, Austin City Limits Music Festival and Glastonbury Festival 2.

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The song has also been covered by James Vincent Mc. Morrow, Royal Blood and Max Jury.[1]Background[edit]That's what someone just said to me when I was on the beach, I was at a beach party, he said 'they've got a sayin' if you're not drinkin' then you're not playin'' I thought it was a cute opening line. For me it's like thinking about the way things were for me, and how my motivations were for so long, they still seem a part of my life even though I'm not drinking now. For some reason I really like soaking up the mood of like a really dynamic party whether it's on the West Coast or whatever.

I like that other people can have fun and let loose. I feel like I'm a part of it when I'm there - so yeah, I felt comfortable with it. Del Rey discussing the song's opening lyric[2]"West Coast" was written by Del Rey and her frequent collaborator Rick Nowels[3] in California, with Del Rey composing its lyrics and melody, and Nowels its chords.[4] In November 2. Del Rey traveled to Electric Lady Studios in New York City,[6] which she occupied for five weeks alone,[7] and produced the track by herself from a guitar before later hiring session drummer Maximilian Weissenfeldt,[8] while Nowels would come by "every now and then".[5] Together, they produced the initial recording of "West Coast" as a classic rock- inspired song.[7] Del Rey developed the track as a dedication to the United States' West Coast,[9] but with the intention of it being more psychological, which resulted in the track becoming distant from that of the verse–chorus form. She felt the song's slow, shifting tempo was important because it reflected her mental state during its writing. Del Rey initially completed her third studio album Ultraviolence in December 2.

West Coast".[1. 1] She then met Dan Auerbach of The Black Keys by chance at Electric Lady Studios and then again on a night out in Queens, New York,[1. That night Del Rey explained to Auerbach her interest to develop a song containing jazz undertones, "West Coast fusion" influenced by The Beach Boys and Eagles, and a 1. Laurel Canyon- type revival.[1.

Subsequently, Del Rey traveled to Nashville, Tennessee to re- record "West Coast" and tracks from its parent album with Auerbach in a 3- week session at his studio,[1. Easy Eye Sound.[1. She invited him to add a more casual, California vibe to the song by recording in single takes,[1. Shure SM5. 8 microphone.[5] According to Auerbach, the recording of "West Coast" was sung "9. Del Rey in a room adjacent to one where a seven- piece band were recording the track's instrumentation.[1.

Auerbach produced the song's electric guitar, shaker, 1. While Nick Movshon was credited as a bassist and drummer on "West Coast". The track's strings were recorded separately from the main recording at a studio in Glendale, California called The Bridge.[8]Del Rey opined that the track's demo sounded very different to Auerbach's reproduction.[1. When Del Rey first played "West Coast" to her record label, Interscope Records, they were dissatisfied with its chorus being slower in beats per minute than its verses.

They responded to the her, stating, "None of these songs are good for radio and now you're slowing them down when they should be speeded up". In an interview with The Guardian, Del Rey explained that she felt "murky" with her life during the song's writing, and it was that feeling which influenced it to sound disconnected from mainstream pop.[1.

Composition[edit]A 2. Del Rey's restrained vocal shifts to a more sweeping, cinematic style. Problems playing this file? See media help. A psychedelic rock[1. Watch Wiener Dog Nationals Online here.

West Coast" also contains elements of reggae, indie rock,[1. Latin rock,[1. 8]1.

The track's subversive sound is the result of its comprising jagged instrumentation[3] and laid- back groove, similar to that of Classics IV's "Spooky" (1. The opening riff solicits a "wavy" sound reminiscent of The Black Keys' Turn Blue (2. Described as a two- in- one track,[2. The Beatles' "We Can Work It Out" (1. Being more guitar- orientated than the singer's previous output,[2. The track's slower second section opens with a descending blues riff reminiscent of The Beatles' "And I Love Her" (1.

Its chorus scythes across juddering bass and off- kilter percussion instrumentation.[2. Towards the end of the track's duration, a stray burst of G- funk shrill synth is solicited.[2. Incorporating an ease to her vocal delivery,[2. Del Rey eased her vocal delivery by crooning the hook "Move baby, move baby / Ooh baby, ooh baby" throughout the chorus shift,[1. Stevie Nicks' "Edge of Seventeen" (1. Del Rey uses an inexpressive, ventriloquizing tone in the song, with her voice being layered into the track's production by means of reverberation.[2. In addition, her vocals use a more sensual and sinister tone than in her previous discography,[1.

She also sings the track's backing vocals which in part contribute to the song's ethereal feel,[2. Muu. Muse's Bradley Stern observed that Del Rey's voice skipped between "breathy franticness and slurred, drugged- out ecstasy".[3] Throughout the song, she restrains her delivery during its verses, but sings in a sweeping, cinematic style in its chorus.[2. West Coast" was noted to be a cross between the works of bands Portishead and Beach House.[2. It was also highlighted that the track deviated from Del Rey's formula in Born to Die and Paradise (2. Harriet Gibsone of The Guardian described it as "side- stepping slowly from the Twin Peaks melodrama of Born to Die,"[2. Tim Jonze of the same publication said the song "ditched the hip- hop trappings of Born to Die".[1. Its eeriness, omnipresent in previous Del Rey tracks, takes on a full- on psychedelia sound, recalling The Turtles' "You Showed Me" (1.

West Coast" is set in the simple time signature of 4/4, with a moderately fast tempo of 1. It is composed in the key of F♯ minor, with Del Rey's vocals spanning the range from F♯2 to C♯5.